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About the Book:
‘On the way back down the grand staircase to the hall, her eye was caught by a portrait, hanging in a particularly dark corner of a landing. It was of a young woman, seated at an easel; she was painting a silk moth, its eggs nestling on a mulberry leaf.’
1704: Anastasia is desperate to escape her controlling and volatile father and plans to marry in secret. But instead of the life she has dreamed of, she finds herself trapped in Venice, the unwilling wife of a silk weaver.
Despite her circumstances, Anastasia is determined to change her fate…
2017: Millie wants more from her relationship and more from her life. So when her boss Max abruptly ends their affair, she takes the opportunity to write a feature in Italy.
Staying in a gorgeous villa, Millie unexpectedly falls in love with the owner, Lorenzo. Together they begin to unravel an incredible story, threaded through generations of silk weavers.
And Millie finds herself compelled to discover the identity of a mysterious woman in a portrait…
A gorgeously written, richly evocative story, The Silk Weaver’s Wife is perfect for readers who love Kate Morton and Gill Paul.
The Silk Weavers Wife is a well-written story, set in Italy and which tells of two tales set almost three centuries apart. The story revolves around 2 women, Anastasia and Millie, both strong and well crafted characters, who prove to be an inspiration for all.
Anastasia is brought up to be respectful, proper and do as her father says. Along with her younger sister and mother, they live in constant fear of her Father’s moods and hate. He only ever seems to show his love to his dog and the horses. Anastasia develops an interest in art and secretly tries to pursue the same. When she is taken away from the man she loves and is forced to marry someone her father had made a deal with through his gambling, her life takes a turn for the worse. Forced to lead a life she doesn’t want, she finds solace in her maid, who helps her find a way to escape the abuse and eventually find her way back to the man she loves. However, even this road is not smooth and is filled with learning and a journey of self-discovery, as well as healing. Anastasia travels across Europe and then to London where she learns to improve her art and then to apply it to the finished product of silk weaving.
Jump ahead to the current day scenario and we meet Millie who has come down to Italy to write a feature on Silk Weaving and how it has evolved over time. Ironically, this trip also proves to be one of self-discovery and developing a sense of respect of oneself. She develops a bond with Lorenzo, the owner of the villa where she is staying and his charming daughter. Millie learns to deal with her failed relationship with her boss, a married man, and as she researches more into the subject of her article, she digs up information pertaining to Anastasia.
As connections are made with the past and parallels are drawn, the author takes the reader on an interesting adventure. In many ways, the journey of the silk worm relates to the journeys led by both women they they finally discover who they are meant to be and learn to be content with their lives. The story moves across time as it unravels, going back and forth to give us a complete picture. The characters are well developed and deep, with the supporting characters playing major roles and contributing to this beautiful tale.
An inspiration, this story brings out the strength of women and how the love and support of those around them, helps them achieve wonders!
About the Book:
Henry and the Hidden Treasure is an imaginative adventure a young child has in defending his pocket money against his little sister. Henry constructs elaborate defensive measures that he is sure will stand up to the clever ambitions of Lucy. Little does he know, Lucy has a few tricks of her own.
With a focus on introducing children to the use of ordinal numbers, Henry and the Hidden Treasure also draws out some important qualities of being a kid – such as creativity, the value of listening to parental advice, and of course, being nice to your sister.
A simple enough children’s story, this book seeks to enlighten children about the importance of listening to your parents and of having an imagination and not shying away from it. It also subtly brings out the concept of ordinal numbers and thus proves to be a useful way of teaching a mathematical concept to children.
The story is imaginative and Henry’s ideas are highly amusing. However, though it is a short story, it felt very abrupt and incomplete, as though the whole point of the plot is not yet conveyed. Looking at this from a child’s point of view however, it proves to be enjoyable and just enough to perhaps keep their attention.
This is a good story to use for both fun reading and as a teaching aid with it’s wonderful illustrations.
What I thought about The Man called Ove
‘Men are what they are because of what they do. Not what they say,’ said Ove.
Set in Sweden, this story of your everyday person and the things they face in life is both heart warming and heart breaking at the same time. The author takes us on a journey through Ove’s life, a short duration after his wife dies and while he is contemplating committing suicide to join her. Ove is a grumpy old man, who seems to put people off with his attitude. Little does anyone know that underneath that hard exterior, there is a wonderful man inside!
A perfectionist, Ove expects things to be a certain way, to happen in a certain way. He has a routine and he expects to keep it. When he is suddenly out of a job, he is thrown off center for a while. Add to this the death of the one person who truly understood him and accepted him for who he is and I am sure that you can understand Ove’s state of mind. If not, read on! This book is truly worth it.
We are introduced to an intriguing set of characters who make this story more colorful. Parvaneh, a pregnant lady with two children and a weird husband, seems to take it upon herself to bring Ove out of his shell. As Ove sets out everyday with the idea of killing himself, something happens to prevent it and make him postpone by a day, each day. A stubborn man, Ove has a set way of doing things and he follows the rules. He has come up through sheer hard-work and determination and all theses experiences seem to have shaped him. The entry of his wife into his life proves to add some color into it, but just enough for her to bring out the best in him.
This story shows us all sides of life and how it shapes a person and their attitude. We are shown how Ove has grown and how the people in his life have affected him. The story goes back and forth, thus ensuring that we get all parts of the story. The man called Ove, has a lot to say and a lot to teach us. It’s up to us to understand this and learn. We are also shown a side of him where he has made friends and lost them over something that ideally wouldn’t matter much to us. With a set mind and ideals, Ove is as stubborn as one can be. This story is about how to break out of this and adapt to the changes in the world around you.
The supporting characters in this story are well crafted and seek to bring out different shades of life. They are from different backgrounds, and show us various kinds of lifestyles and thought processes. The children are delightful and it is partially their innocence, coupled with Parvaneh’s bossy nature that seeks to bring Ove out of his shell. As he begins to help people again, frankly speaking, he is forced to, it changes him once more and gives him a new purpose in life.
A well-written novel, the author brings out the truth behind every person’s life, the hardships they face and the ease with which they can handle it when surrounded with people who love and support them. The simplicity of the plot and the depth of the characters make this a brilliant read.
Self Aware? Not really.
‘A Character in Reality’ begins with Robert Gladstone, a fictional detective who becomes self-aware. He realizes that his actions are controlled by a narrator. He starts to communicate with the narrator and enters the real world. The story follows his journey in the real world as he struggles to get used to alien concepts such as liberty, and unrestrained human emotion.
The writing is lucid and is often crisp with a distinct lack of desire to be descriptive and verbose. While this makes the story relatively easy to follow, the relative minimalism in the work is hampered by significant flaws. At several points in the narrative, the first word which springs to mind is ‘superficial’. The lack of character development makes the driving motives of several characters extremely sketchy. The narrator in the story, rather ironically comes across as a rather unimaginative, incompetent author who conveniently swing from compassion to abject selfishness on an ad hoc basis.
His monolithic plot lines seem to leave no space for normal emotional interactions, which conveniently places Robert Gladstone in a position where he is forced to confront unrestrained human emotion for the first time. Even if this were overlooked, the subsequent experiments with human emotion come across as wooden and forced. At several points, there are missed opportunities to develop incidents into a thoughtful exploration of the issues covered. The point at which Gladstone confronts the narrator, threatening to kill him if he doesn’t reflect and the subsequent reconciliation take place over the course of a mere paragraph or two, merely highlighting the superficiality of the narrative, rather than the minimalist approach.
The latter half of the book seeks to incorporate issues related to immigrant rights, and the plot shifts to an election cycle where the legal status of Robert becomes the most significant issue. This portion largely suffers from the superficiality which carries over from the previous half and comes across as a half-hearted attempt to incorporate a pressing real-world issue into the narrative. The author deals with the sensitive issues of the partisan divide and immigrant rights in a highly reductionist manner, playing up traditional dichotomies without ever furthering the plot convincingly.
A Character in Reality struggles with a lucid narrative that fails to adequately capture the essence of self-awareness. There are several interesting plot lines, which aren’t developed. It largely feels like a missed opportunity. A little more character development coupled with a coherent plot line would have gone a long way towards making Nicholas Bridgman’s book an excellent read.
Written by Han Kang, The Vegetarian has been translated into English by Deborah Smith.
Before my wife became a vegetarian, I’d always thought of her as completely unremarkable in every way.
This is how Han Kang’s second work available in English begins. The Vegetarian, a tale in three parts, follows Yeong Hye’s decision to become a vegetarian following a recurring dream. Each part is narrated from a different first person perspective. What starts off as a seemingly innocuous transition in dietary habits slowly evolves into a frightening tale of deprivation.
The first part, ‘The Vegetarian’ is narrated from the perspective of Mr. Cheong, Yeong Hye’s husband, a laid back person with a predilection for an unremarkable lifestyle. This part of the story traces his struggle to reconcile his dormant wife’s rapid transition from a docile housewife to a strong, aloof vegetarian who refuses to consume meat. He makes multiple attempts to try to restore normalcy, first through subtle coercion and then by involving her family.
I think that this part stands out because of Kang’s ability to subtly bring out the characteristics of a patriarchal society and its inability to deal with concepts such as mental health. This is epitomized in Cheong’s reaction to his wife’s deteriorating physical state as her paranoia becomes worse. He comments, in two separate instances,
“In any other case, it was nothing but sheer obstinacy for a wife to go against her husband’s wishes as mine had done”
“I resisted the temptation to indulge in introspection. This strange situation had nothing to do with me”
The ability of these simple sentences to paint a clear picture of a typical self-centred patriarch should not be underestimated. To deal with an issue which is often the subject of verbose description with pleasing brevity that doesn’t eschew clarity is something anyone reading this book should look out for. Towards the end of this part, Yeong-Hye attempts to commit suicide following her father’s attempt to feed her meat forcefully.
The second part, ‘Mongolian Mark’ is written from the perspective of Yeong-Hye’s sister’s husband. He is an artist, largely dependent on his successful wife’s business. This section of the book is arguably the best portion of Kang’s work. The narrative starts off after Yeong-Hye’s suicide attempt and her subsequent divorce from her husband. ‘Mongolian Mark’ sees Yeong-Hye eschew other facets of ‘normal life’ as she continues to be haunted by dreams which she attributes to her life as a non-vegetarian.
In-Hye’s husband develops a strong attraction to the idea of using Yeong-Hye as a subject in his artistic work. The narrative entices the reader with several sexual overtones, coupled with an insight into an artist’s obsessive, consuming drive to consummate the ideas which float in their head. Readers should look out for this conflict between propriety, sexual desire, and artistic drive. A portion which stands out for me is the short incident of marital rape which occurs, when In-Hye’s husband, driven by visions of his desire for Yeong-Hye forces his wife to have sex with him, even as she cries.
“She might have lain there sobbing for hours in the darkness. He didn’t know”
“But the next morning, she hadn’t acted any different from usual”
The questions this part raises, about the validity of consent from individuals who are struggling with disabilities and marital rape are not only relevant questions but are dealt with in a manner which seems driven towards introspection, as opposed to impact. In my opinion, this is what truly makes ‘The Vegetarian’ a riveting read.
If this is not enough of an endorsement of Han Kang’s work, the promise of an equally excellent third part ‘Flaming Trees’, told from the perspective of In-Hye should appeal to you. In-Hye, the woman who seems to epitomize the catch phrase that ‘women can have it all’ goes through a gamut of emotions as she deals with her divorce and Yeong-Hye’s deterioration in an institution.
What stands out about ‘The Vegetarian’, is the ability to use a relatively terse storyline to effectively tell a compelling story and illustrate pertinent social issues, thus making it a book that should grace your bookshelf.
Nowadays, people are moving more towards ebooks instead of investing in a physical copy of books. This is proving to be quite useful in many ways, making it easier to carry books around. With Sweek, reading books on mobile devices is made easier and more user friendly. An interesting concept, read on to know more about the app and how it came to be.
Sweek is a mobile platform which allows anyone to read, write and share stories. All over the world. In an instant. For free.
It allows the user to read from a number of options, write or publish their own work and reach a large reader base, as well as share their favourite stories with friends via the various social media platforms.
Sweek’s mission statement:
‘Sweek stimulates community based writing and reading on a global scale by enabling everybody to easily publish, read and share stories with the world at no cost. By providing mobile and online reading, Sweek contributes to a more sustainable future.’
History of Sweek:
Sweek was incubated by Mybestseller, the European market leader in self-publishing. The founders of Mybestseller saw an opportunity in the rising trend of mobile publishing. Key were changing reading habits, serialization of content and short stories. After some research and deliberation, the Sweek concept was born!
In September 2015, Sweek was formally established. Since then the team grew considerably and now consists of 14 members.
Now, since June 2016, Sweek has been available to the public on both Android and iOS platforms!
By introducing Sweek, Mybestseller offers publishers a comprehensive proposition and innovative tools for self-publishing and mobile publishing that can be easily integrated in their strategy in the fast changing publishing world. The focus is on creating synergies between traditional, mobile and self-publishing.
Benefits for publishers
Next to directly increasing sales via the marketing tool, publishers can benefit in other ways from using Sweek. Big data is very important to publishers, as it gives insight in reading behavior and trends, and in the reader demographics of their writers. Publishers can also use Sweek to scout upcoming writers with a large online follower base, who have already proven themselves: the new rockstars of writing will arise from mobile publishing.
Next to the Sweek mobile publishing platform, users are offered the opportunity to publish their paperbacks or e-books via Sweek self-publishing. For free. The state-of-the-art publishing platform enables any author to easily publish, promote and sell books. All relevant sales channels and a variety of additional services are available to the user. The best thing is, there are no costs upfront and authors receive a royalty per sold copy. Even though stories are available for free on Sweek, the team is convinced that fans would love to have an e-book or a printed copy.
Connect with Sweek:
If you want to read more about the Sweek story and the team, just check out the Sweek blog.
Further you can connect on social media at:
I was provided with a complimentary copy of the book in exchange for an honest review.
When Shadows Turn Dark
by Vidya Anand
Published by Notion Press, March 2016
About the Book:
Anirudh is clouded with the mysteries of a past life, which he relives through his nightmares. Though his logical mind denies it, he sets out to unravel the secrets about the girl in his dreams, Chitrangada, and her brutal death.
His friends, Madhav and Trisha, support him through his inner battle.
In another part of the world, Sanjana and Abhimanyu are happy in their lives, quite unaware that they are also destined to become a part of this cryptic game.
Will Anirudh be able to save himself from slipping completely into the past?
When Shadows Turn Dark is a tale about friendship, love, betrayal and revenge that interweaves the lives of these people.
A tale about the mystical world of rebirth, and much more!
I did not enjoy this book much and I had to concentrate hard to get through it. The main plot seems to have come right out of a Bollywood script, with so many similarities that it is not so easy to distinguish which is original and which is not.
Anirudh, the protagonist, has had dreams about the death of a girl named Chitra, his entire life and he doesn’t know why. He doesn’t even know who she is. Sanjana, the descendant of princess Chitrangada, who lived almost 100 years ago, suddenly experiences changes in moods and we have no idea why. Set in a time when everyone has secrets and won’t talk openly, the concept of rebirth is frowned upon. The story draws upon the past to define the present and the decisions of the various characters take the story forward.
The characters are not very interesting or well developed. The reader is not given much to go on and it is quite difficult to relate to the characters. The women are created under the usual stereotypes of gossip, giggles and being bothered about guys more than their work or career. The men are shallow and there is no depth in the character personalities.
The story runs in two parallels, present day, and a story-line from almost 100 years ago, about which the protagonist has been having dreams his entire life. It doesn’t seem as though a lot of research has gone into the career choice of the characters and it’s ironic how they all end up in the same palace that the past refers to. Even though his friend Madhav has been shown as supportive, the characters never really express themselves and the reader doesn’t know what they are really thinking or how they fit into this story.
There is a lot of repetition of points and this acts as a deterrent while reading, making it difficult to concentrate. Also, while bringing together the past and present, and introducing the concept of rebirth, there is no clarity in the plot. When all the characters meet (this is extremely brief), there is no explanation or connection to what they have experienced. It’s just a short connection and then all of a sudden they all go their own ways. This makes the story uninteresting as it ends up flowing without coherence of thought. The story could have been brought out better with a little more explanation and stronger background information.
On the whole, however, the story is simply written and if you’re looking for a quick read that doesn’t need much thought, this is worth a shot.
Allie and Bea have both lost everything.
Now they have nothing to lose.
Allie and Bea
by Catherine Ryan Hyde
On Sale: 23rd May 2017
About the Author:
Catherine Ryan Hyde is the author of 32 published books. Her bestselling 1999 novel, Pay It Forward, was adapted into a major Warner Bros. motion picture starring Kevin Spacey and Helen Hunt, made the American Library Association’s Best Books for Young Adults list, and has been translated into more than two dozen languages in 30 countries. More than 50 of her short stories have been published in journals, and her short fiction received honorable mention in the Raymond Carver Short Story Contest, a second-place win for the Tobias Wolff Award, and nominations for Best American Short Stories, the O. Henry Award, and the Pushcart Prize. Three have also been cited in Best American Short Stories. Hyde is the founder and former president of the Pay It Forward Foundation. As a professional public speaker, she has addressed the National Conference on Education, twice spoken at Cornell University, met with
AmeriCorps members at the White House, and shared a dais with Bill Clinton.
A Conversation with the Author: (taken from the official press release).
Q: When readers are first introduced to Bea and Allie, both characters are at a point where they
have lost everything. Bea has fallen prey to a telephone scam and has nothing left but her cat and
her van, while Allie has been forced to live in a juvenile group home after her wealthy parents
are arrested for tax fraud. There is a quote in the book about this that is particularly striking:
“All her life Bea had felt fear, especially fear of the lack that seemed to hide around every
corner, and all her life she’d been ruled by it. But now she had a new secret weapon: nothing to
lose. And that was a freedom the likes of which Bea had never known.” In a way, it isn’t until
they hit their respective rock bottoms that Bea and Allie are truly free. What do they each gain
by losing seemingly everything?
A: It’s an interesting phenomenon, the freedom that comes from losing everything. It remains largely
theoretical because no one wants to test it out if they can possibly avoid it. But I’ve had little glimpses
into the feeling. I think most of us have. Our fear seems to stem from the idea that we have something
that could be lost, and that we are nothing without it. But once we are in that “lack situation,” the one
we once thought was nearly akin to death, we realize we’re still alive and our life goes on. And in
some very basic way we continue to be “okay,” though the definition of that word might shift. I do
think it changes us. Having faced our worst fears, the timidity we carried with us through the world
tends to fall away. It’s one of those odd aspects of the human condition that are a novelist’s life blood.
Q: As the income gap between America’s rich and poor continues to widen, many experts
suggest that we now live in an era of drastic economic inequality. Your novel brings together two
individuals who come from either end of the economic spectrum: Bea, who was already living
from Social Security check to Social Security check, is now penniless, while Allie is a teenager
who is accustomed to a life of affluence and luxury until her parents are arrested. What made
you want to pair these two characters together, and what were you hoping they could learn from
A: Some of these themes were not as premeditated as people might think. I made Bea economically
strained because the plot needed her to be. I knew I wanted a—well, I hate to say “dishonest” because
I’m not sure that’s true in Bea’s heart of hearts—but let’s say an “honesty challenged” character. Then
I wanted to throw that character together with a scrupulously honest one. Allie I chose to be more
affluent, probably because that helped create the contrasts that make good stories—both between her
experience and Bea’s and between her old life and the one in which she suddenly finds herself. And
the things they (and I) learned from the pairing involved a few interesting surprises.
Q: So many senior citizens are targeted in scams these days. In fact, New York City currently
has an ad campaign running in taxi cabs warning people about phone scams just like the one
that Bea is a victim of. Did you have any real life inspiration for her situation or her character?
A: Well, I live in the world, which I think is my real-life inspiration for everything I write. And while
Bea is not based on anyone I know, I have certainly seen a reflection of her struggles in the real people
all around me. My mother lived with me for the 25 years of her retirement, and I watched her struggle
to understand the technological world in which we now live. I watched her collect her Social Security,
wondering exactly how she would manage to live on such a small monthly payment if she didn’t have
family. I think I’m most aghast at the “scam culture” that seems to have no heart—the catfishers who
prey on the lonely and the financial scams that disproportionately affect the elderly. I don’t understand
how anyone could rob another human being of the one thing they can least afford to lose. And
anything I can’t understand is likely to come up in my novels.
Q: In addition to the differences in their economic backgrounds, Allie and Bea must also contend
with the generational divides that separate them. You yourself are closer in age to Bea, although
you write about both characters with a great deal of empathy, nuance, and believability. Was one
character harder to write for than the other, and what are some of the unexpected benefits of
spending time with people who are younger or older than us?
A: Both characters were easy to write for me, probably for the same reason that I am equally
comfortable writing from the point of view of a male or female character. I try to get underneath the
thin veneer of our differences and write from that deeper place in which we are all human. We all want
the same basic things—love, safety, acceptance—and we all have the same basic fears (whether we
admit them or not). Once you find that place, differences such as age or gender begin to seem quite
trivial. Plus, when writing young characters, my own arrested development helps a lot!
As to the benefits of spending time with people of different generations, the more we get over—or
under, or around—what we think of as our differences, the more we see how much we all have in
common. Life can only get better from there.
Q: At certain points in the novel, Bea and Allie are forced to resort to theft and deceit in order
to pay for things like gas and food. Stealing and dishonesty don’t necessarily come naturally to
either Allie or Bea, but the ways in which they wrestle with and justify these seemingly immoral
acts is quite interesting. In what ways do you think fighting for survival can change the nature of
“right” and “wrong”? How did you negotiate that tension as an author?
A: Some of this was unplanned when I began writing the novel. The original idea was that Bea had
turned into a scammer and Allie was honest, and Allie would help Bea see the light. Seems almost
laughably simplistic, looking back. This is not to say honesty is not good. Of course it is. But we have
these seniors (and others) living in poverty. They were promised security if they played by the rules
and paid into their government funds. The rich are getting so much richer, and so many people like Bea
have next to nothing. Many don’t even have what they need to survive. Everybody has the right to
assure his or her own survival, so to say to someone like Bea, “Now, now. No taking what isn’t
yours…” well, it seems downright immoral. Why do we live in a system where the very stuff of
survival is not within her reach? And Allie, she has to learn that it was naïve to be as staunchly pro-honesty as she has been, because until now she has never wanted for anything in her life. As a novelist, these are the situations I thrive on. They refuse to be black and white, no matter how badly we want them to be. So this was a process of discovery for me, a series of happy surprises that sprang up as I
Q: Allie and Bea’s journey together becomes something of an unconventional road trip. Were
you inspired by any of the classic road narratives from literature while you were writing this
A: The road trip has always been a passion of mine, as long as I’ve been writing. My first novel,
Funerals for Horses, is a road trip. As is Becoming Chloe, Take Me with You, to a smaller extent
Chasing Windmills… and I may even be forgetting one or two. I’m sure I have enjoyed reading classic
road trip novels in the past, but none spring to mind now. What comes up strongly is my own love of
travel. I have driven and camped and hiked through so many of these places, and they have changed
me and become part of me. I guess it was inevitable that they would spill out into the work.
Q: Can you tell readers a little bit about the setting for this novel and what this area of
California means to you?
A: Part of it is my beloved home. I live in Cambria. San Luis Obispo, the place where Allie and Bea
were thrown together, Morro Bay where they first had breakfast, that overnight in Cambria… the
zebras on the Hearst property and the elephant seals just north of town… it’s all my backyard. And
I’ve done quite a bit of traveling along the coast, once with my mother starting at the top of Oregon,
once with just my dog Ella all the way home from the Canadian border. It’s a deeply familiar place for
me, with such striking scenery that it was crying out to be the backdrop for a story.
Q: When they first meet, Allie and Bea are both technically homeless and have no real family to
rely on. In what ways does their time together change their notions of what “home” and “family”
A: Family is a concept with a practical necessity. And it’s a concept that comes up again and again in
my novels. We need community, we need the support of others. So what do we do when all of our
“others” fall away, or can’t meet our needs? The answer seems to be that we find what we need in
unexpected places. Allie and Bea are not exactly “made for each other.” Their relationship is a scratchy
one. Then again, isn’t that true with most of our blood family? I think, more than anything else, they
learn that if two people have the other’s best interest at heart, they can fill each other’s needs against
almost any odds.
About the Book:
What would you do if you discovered a dead body? Would you investigate? Try to solve the case before the police arrive?
Would you prattle on about theories regarding the murder, realizing you know almost too much about it? Would you put the handsome detective off balance so that he then accuses you of being the murderer? All before 9AM? No… surely no one would do that?
Clearly, you haven’t met Diana Hunter.
When embarking on an early morning run, Diana notices a man sitting on the ground reading a book. When she returns, she finds he hasn’t moved a muscle since she left her house. She checks him over and discovers that he is stone cold. Once the emergency services arrive, all equipped with a very good-looking, but pompous detective, Peter Hopkinson, she has to continually prove to the detective why she is not the killer while trying to solve the murder herself.
Will Diana find the murderer before the detective does, or will they both discover that something a lot more sinister is going on at Royal Bay Beach?
This story is fast-paced and a very quick read filled with interesting characters. The plot is convincing, starting with the main protagonist Diana, setting out for her morning run. On the way, she notices a person sitting under a tree near her building who has been sitting in the same position since she started her run. It is said that curiosity killed the cat, and though this is not literally the case, Diana finds herself in the position of explaining herself to the lead detective on the case. Add in the fact that he is not at all what she pictured detectives to be like and her wild imagination and we have an interesting chemistry between the two.
The author doesn’t dwell much into the background of the characters, only briefly providing information to fill in plot holes, making it a little difficult to understand them. Also, the whole story seems to happen very smoothly with no roadblock or any disturbances. This is not very realistic, but will still hold the readers attention. However, this doesn’t take away much and still ensures that the story is worth the read. The events unfold very quickly and Diana’s sharp mind prove to be an asset. It is nice to read about a female protagonist who is strong willed, inquisitive and extremely witty, piecing together facts to help solve the mystery.
Grab a copy of this short suspense filled mystery that most mystery lovers will enjoy!