Check out what Catherine Ryan Hyde, author of bestselling novel turned motion picture, Pay It Forward, has to say about her upcoming novel!

Allie and Bea have both lost everything.
Now they have nothing to lose.

Allie and Bea
by Catherine Ryan Hyde

On Sale: 23rd May 2017

About the Author:

Catherine Ryan Hyde is the author of 32 published books. Her bestselling 1999 novel, Pay It Forward, was adapted into a major Warner Bros. motion picture starring Kevin Spacey and Helen Hunt, made the American Library Association’s Best Books for Young Adults list, and has been translated into more than two dozen languages in 30 countries. More than 50 of her short stories have been published in journals, and her short fiction received honorable mention in the Raymond Carver Short Story Contest, a second-place win for the Tobias Wolff Award, and nominations for Best American Short Stories, the O. Henry Award, and the Pushcart Prize. Three have also been cited in Best American Short Stories. Hyde is the founder and former president of the Pay It Forward Foundation. As a professional public speaker, she has addressed the National Conference on Education, twice spoken at Cornell University, met with
AmeriCorps members at the White House, and shared a dais with Bill Clinton.

A Conversation with the Author: (taken from the official press release).

Q: When readers are first introduced to Bea and Allie, both characters are at a point where they
have lost everything. Bea has fallen prey to a telephone scam and has nothing left but her cat and
her van, while Allie has been forced to live in a juvenile group home after her wealthy parents
are arrested for tax fraud. There is a quote in the book about this that is particularly striking:
“All her life Bea had felt fear, especially fear of the lack that seemed to hide around every
corner, and all her life she’d been ruled by it. But now she had a new secret weapon: nothing to
lose. And that was a freedom the likes of which Bea had never known.” In a way, it isn’t until
they hit their respective rock bottoms that Bea and Allie are truly free. What do they each gain
by losing seemingly everything?
A: It’s an interesting phenomenon, the freedom that comes from losing everything. It remains largely
theoretical because no one wants to test it out if they can possibly avoid it. But I’ve had little glimpses
into the feeling. I think most of us have. Our fear seems to stem from the idea that we have something
that could be lost, and that we are nothing without it. But once we are in that “lack situation,” the one
we once thought was nearly akin to death, we realize we’re still alive and our life goes on. And in
some very basic way we continue to be “okay,” though the definition of that word might shift. I do
think it changes us. Having faced our worst fears, the timidity we carried with us through the world
tends to fall away. It’s one of those odd aspects of the human condition that are a novelist’s life blood.

Q: As the income gap between America’s rich and poor continues to widen, many experts
suggest that we now live in an era of drastic economic inequality. Your novel brings together two
individuals who come from either end of the economic spectrum: Bea, who was already living
from Social Security check to Social Security check, is now penniless, while Allie is a teenager
who is accustomed to a life of affluence and luxury until her parents are arrested. What made
you want to pair these two characters together, and what were you hoping they could learn from
each other?
A: Some of these themes were not as premeditated as people might think. I made Bea economically
strained because the plot needed her to be. I knew I wanted a—well, I hate to say “dishonest” because
I’m not sure that’s true in Bea’s heart of hearts—but let’s say an “honesty challenged” character. Then
I wanted to throw that character together with a scrupulously honest one. Allie I chose to be more
affluent, probably because that helped create the contrasts that make good stories—both between her
experience and Bea’s and between her old life and the one in which she suddenly finds herself. And
the things they (and I) learned from the pairing involved a few interesting surprises.

Q: So many senior citizens are targeted in scams these days. In fact, New York City currently
has an ad campaign running in taxi cabs warning people about phone scams just like the one
that Bea is a victim of. Did you have any real life inspiration for her situation or her character?
A: Well, I live in the world, which I think is my real-life inspiration for everything I write. And while
Bea is not based on anyone I know, I have certainly seen a reflection of her struggles in the real people
all around me. My mother lived with me for the 25 years of her retirement, and I watched her struggle
to understand the technological world in which we now live. I watched her collect her Social Security,
wondering exactly how she would manage to live on such a small monthly payment if she didn’t have
family. I think I’m most aghast at the “scam culture” that seems to have no heart—the catfishers who
prey on the lonely and the financial scams that disproportionately affect the elderly. I don’t understand
how anyone could rob another human being of the one thing they can least afford to lose. And
anything I can’t understand is likely to come up in my novels.

Q: In addition to the differences in their economic backgrounds, Allie and Bea must also contend
with the generational divides that separate them. You yourself are closer in age to Bea, although
you write about both characters with a great deal of empathy, nuance, and believability. Was one
character harder to write for than the other, and what are some of the unexpected benefits of
spending time with people who are younger or older than us?
A: Both characters were easy to write for me, probably for the same reason that I am equally
comfortable writing from the point of view of a male or female character. I try to get underneath the
thin veneer of our differences and write from that deeper place in which we are all human. We all want
the same basic things—love, safety, acceptance—and we all have the same basic fears (whether we
admit them or not). Once you find that place, differences such as age or gender begin to seem quite
trivial. Plus, when writing young characters, my own arrested development helps a lot!
As to the benefits of spending time with people of different generations, the more we get over—or
under, or around—what we think of as our differences, the more we see how much we all have in
common. Life can only get better from there.

Q: At certain points in the novel, Bea and Allie are forced to resort to theft and deceit in order
to pay for things like gas and food. Stealing and dishonesty don’t necessarily come naturally to
either Allie or Bea, but the ways in which they wrestle with and justify these seemingly immoral
acts is quite interesting. In what ways do you think fighting for survival can change the nature of
“right” and “wrong”? How did you negotiate that tension as an author?
A: Some of this was unplanned when I began writing the novel. The original idea was that Bea had
turned into a scammer and Allie was honest, and Allie would help Bea see the light. Seems almost
laughably simplistic, looking back. This is not to say honesty is not good. Of course it is. But we have
these seniors (and others) living in poverty. They were promised security if they played by the rules
and paid into their government funds. The rich are getting so much richer, and so many people like Bea
have next to nothing. Many don’t even have what they need to survive. Everybody has the right to
assure his or her own survival, so to say to someone like Bea, “Now, now. No taking what isn’t
yours…” well, it seems downright immoral. Why do we live in a system where the very stuff of
survival is not within her reach? And Allie, she has to learn that it was naïve to be as staunchly pro-honesty as she has been, because until now she has never wanted for anything in her life. As a novelist, these are the situations I thrive on. They refuse to be black and white, no matter how badly we want them to be. So this was a process of discovery for me, a series of happy surprises that sprang up as I
went along.

Q: Allie and Bea’s journey together becomes something of an unconventional road trip. Were
you inspired by any of the classic road narratives from literature while you were writing this
book?
A: The road trip has always been a passion of mine, as long as I’ve been writing. My first novel,
Funerals for Horses, is a road trip. As is Becoming Chloe, Take Me with You, to a smaller extent
Chasing Windmills… and I may even be forgetting one or two. I’m sure I have enjoyed reading classic
road trip novels in the past, but none spring to mind now. What comes up strongly is my own love of
travel. I have driven and camped and hiked through so many of these places, and they have changed
me and become part of me. I guess it was inevitable that they would spill out into the work.

Q: Can you tell readers a little bit about the setting for this novel and what this area of
California means to you?
A: Part of it is my beloved home. I live in Cambria. San Luis Obispo, the place where Allie and Bea
were thrown together, Morro Bay where they first had breakfast, that overnight in Cambria… the
zebras on the Hearst property and the elephant seals just north of town… it’s all my backyard. And
I’ve done quite a bit of traveling along the coast, once with my mother starting at the top of Oregon,
once with just my dog Ella all the way home from the Canadian border. It’s a deeply familiar place for
me, with such striking scenery that it was crying out to be the backdrop for a story.

Q: When they first meet, Allie and Bea are both technically homeless and have no real family to
rely on. In what ways does their time together change their notions of what “home” and “family”
can mean?
A: Family is a concept with a practical necessity. And it’s a concept that comes up again and again in
my novels. We need community, we need the support of others. So what do we do when all of our
“others” fall away, or can’t meet our needs? The answer seems to be that we find what we need in
unexpected places. Allie and Bea are not exactly “made for each other.” Their relationship is a scratchy
one. Then again, isn’t that true with most of our blood family? I think, more than anything else, they
learn that if two people have the other’s best interest at heart, they can fill each other’s needs against
almost any odds.

In Conversation with Dane Cobain

Here at redpillows, I’ve had the pleasure of chatting with author and poet, Dane Cobain.

Dane Cobain

His work is quite diverse and spans fiction, non-fiction and poetry. His first work No Rest for the Wicked was released in the summer of 2015.

Read on to know what Dane would like to share!

  1. Tell us a little about yourself.

Hi, I’m Dane! I’m a British writer who works across all sorts of genres, from horror and literary fiction to non-fiction and poetry. You can check out my work over here: www.danecobain.com/amazon

  1. How did you get into writing?

I’ve been writing for as long as I can remember. I suppose it all started when I was six or seven years old, singing parodies of popular songs with my own lyrics. When I was a teenager, I started to take it a lot more seriously, and the rest if history (and sweat, a lot of that too).

  1. You write such diverse things, novels and poetry, how do you manage that?

Honestly, I just don’t stop. I constantly work on finding ways to optimise my time and to cram as much productivity in as possible. I write a poem a day during the week, and I work on them while on cigarette breaks. Because my poems aren’t too long, I usually also get to spend a little time outlining stories, novels, marketing plans and other things that are stuck in my head. I write longer form things at the computer, while switching between other activities in a ridiculously specific routine I call ‘The Schedule’.

  1. Where do you find inspiration for your poetry?

Life, mainly. But my poetry is unique in that I only include maybe 5% of the poems that I write in the published collections. Sometimes, there isn’t much inspiration, but I still write poems – I just don’t share them.

  1. What are your favourite genres and your favourite books?

I like to read modern classics and ‘alternative’ books, as well as plenty of indie books and new releases thanks to my book blog (SocialBookshelves.com). Some of my favourite writers include Graham Greene, Charles Bukowski, Phillip Pullman, Terry Pratchett and, lately, Stephen King.

  1. Which kind of writing (genre) do you prefer?

They all have their pros and cons and, to be honest, when I’m writing, I don’t usually have a genre in mind. That comes when I get to the marketing stage. I don’t think I can answer this – sorry!

  1. Tell us a little about your research process while working on a novel.

It totally depends upon the novel, but I’m trying to carry out quite a lot for a current project. Unfortunately, the project itself is a bit of a secret, but it involves interviewing subject matter specialists from charities, reading books and documentaries and spending a hell of a lot of time looking at photos and videos that I’d much rather not look at.

  1. Who is your favourite character among those you have created and why?

Hmmm. It’s a tough one to call, but it’s probably Maile O’Hara from my upcoming series of detective novels. She’s basically me, if I was a woman and had specialised in computer stuff instead of writing.

  1. Describe a perfect writing day for you.

I wake up whenever I wake up and stay at home, working until I go to sleep while watching Netflix and chillin’ with my girlfriend. She’s only able to put up with me because she’ll quite happily play Skyrim while I’m working and we both have good taste in documentaries.

  1. What do you find most difficult while writing a novel?

Getting started during the planning stage. The more you plan, the more it all starts to come together, but the early days can be overwhelming. Once you’ve got a plan in place, it just becomes a case of endurance. You just need to stick with it.

  1. What do you find most difficult about writing poetry?

There are no rules. It’s just you and a blank piece of paper. It’s liberating, but it’s also terrifying – especially if you’re like me and you hate rhyming poetry

  1. Do you have any advice to share about writing a novel/poetry?

You just need to be prepared for heartbreak, do your best and stick at it. And you’d better make sure that you work with a decent editor if you want your book to be at its best.

Connect with the author:

Goodreads, Twitter

Author Website

Interview : Bootie and the Beast by Falguni Kothari

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Book Blurb:

Fairytales don’t end with True Love’s Kiss, they begin with one…

Diya Mathur (aka Beauty), celebrated supermodel and Party Princess of India, is adored by everyone. She works hard, plays hard, and has the biggest shoe fetish on the planet. But after she purchases one baby bootie, Diya’s reputation is in ruins. There’s only one place to escape the rumours – Texas, under the protection of her lifelong friend, and secret love, Krish Menon (aka the Beast).

Financial whizz-kid, CFO and entrepreneur, Krish is a brooding workaholic with a charisma that still brings Beauty Mathur to her knees. He has no idea, of course! They’ve shared a bond since childhood – a special friendship that thrives on sparring, teasing and goading – but with Diya back in his life and under his roof, Krish’s latent desire for her explodes. And when he finally admits to the secret that has never allowed him to commit to any woman – especially Diya – everything changes. Krish might finally realise how much he wants his Beauty. But he won’t get her until Diya has tamed her Beast.

 

 Book links for Bootie and the Beast:

Amazon UK:

http://www.amazon.co.uk/Bootie-Beast-Indian-Author-Collection-ebook/dp/B00KM0ZQ4S/ref=pd_rhf_eebr_p_t_1_RZEY

Amazon India:

http://www.amazon.in/Bootie-Beast-Falguni-Kothari/dp/9351065065/ref=sr_1_2?s=books&ie=UTF8&qid=1398098298&sr=1-2

Mills and Boon:

http://www.millsandboon.co.uk/bootie-and-the-beast

Harlequin India:

http://www.hqnindia.com/series/indianauthor

Flipkart:

http://www.flipkart.com/bootie-and-the-beast/p/itmdv3drqmxjgqsk?pid=9789351065067&otracker=from-search&srno=t_1&query=bootie+and+the+beast&ref=9e18052b-a541-42a8-b58e-3eff2b9a7ade

 

Interview:

1)      What/who inspired you to start writing?

My mother. It so happened that she insisted I do something worthwhile with my time, once my kids had grown to the age where they didn’t need me constantly and I was beginning to flounder with nothing to do. I looked into taking some online classes and being as fond of reading and literature as I am, the classes that appealed to me had to do with writing—a class called “Romance Writing Secrets” to be exact. I took the six week course, then another one on grammar, and voila! I was writing seriously enough to put down approximately 80,000 words on page in a year.

2)      Tell us a little about yourself.

Well, I’m crazy about Scrabble, Sid Meier’s Civilization and the Age of Empires. I am prone to nasty bouts of car and plane sickness but not seasickness. I hate massages that hurt. I love old buildings and historical artifacts. I love dogs. I am afraid of snakes and ghosts—I get freaked out by horror movies and only watch them with the sound turned off. Oh, and I loathe cooking.

3)      What is your favourite genre?

Anything and everything romance.

4)      Which is your favourite book?

As I have several that I am equally fond of, I will go with naming my favourite by its written age: the Mahabharata by Vyasa, although, I’m not sure if the epic can be called a book.

5)      Who is your favourite author?

Again, I have great respect and liking for several and will go with my latest favourite. John Green, author of The Fault In Our Stars.

6)      What are your hobbies?

Reading, dancing, Scrabble on or offline, playing computer games, namely, Civilization and Age of Empires.

7)      Perfect holiday destination?

Ancient and historical places and anywhere you see endless horizons and mountain views.

8)      Describe a perfect day.

Days when I type out 3000 or more productive words, at the end of which hubby and kids treat me to a dinner at my favourite restaurant. Total, scrumptious bliss.

9)      Which is the best part of writing a story?

The beginning, the middle and the end; I love every aspect of writing my story right now. I know it may change at some point, but so far, I’m in writer heaven.

10)   How much inspiration do you draw on from real life experiences? With respect to plot, characters etc.

A good bit of my plot/scene/character ideas come from real experiences or by observing people and situations, though most of it is pure research or common sense. For example, the “Puppy Shame” scenes from Bootie and the Beast were inspired by a friend whose husband actually teases her about…well, Puppy Shame moments.

Connect with the author:

falguni_36_clr

Website: www.falgunikothari.com

Twitter: @F2tweet https://twitter.com/F2tweet

FB Author Page: https://www.facebook.com/falgunikothari.author

Blog: http://falgunikothari.blogspot.com

Goodreads: http://www.goodreads.com/falgunikothari

Google+ : https://plus.google.com/+FalguniKothari

Pinterest: http://www.pinterest.com/falgunikothari/